On stage, Anderson, O’Hara, Goodier, guitarist Florian Opahle and drummer Scott Hammond kept the music tight and enticing. This time, an HD video screen served as the palette for “virtual” guests that included O’Donnell as the young Jethro Tull, Unnur Birna Björnsdóttir as his wife, and even keyboardist John O’Hara, bassist Dave Goodier and Anderson himself playing parts, all singing verses from Tull classics like “Heavy Horses,” “Wind-Up,” “Farm On The Freeway,” “Living In The Past,” “Cheap Day Return” and “A New Day Yesterday.” For previous tours, Ryan O’Donnell came up to pantomime, sing verses, and engage in antics. Seasoned Tull fans tracking Anderson’s solo activities of the last few years are aware he’s been singing less, yet prancing about and playing flute more. And what better place to watch it all unfold than at the Art Deco landmark of theater in Hollywood than the Pantages Theatre. Newer tracks and quirky little musical patches here and there were added to the bridge gaps and provide continuity. Instead of a whole new record, Jethro Tull songs, many out of rotation for decades, were reshaped and rearranged to fit a live presentation about Jethro Tull, now a modern-day agriculturalist sowing his seeds in the industrialized world of farming. Of course, his name reached new heights when it became the moniker for a band. For Jethro Tull The Rock Opera, he’s created a loose story around Jethro Tull, the 18th century agriculturalist, famous for inventing the seed drill and horse-drawn hoe. As if the line between Ian Anderson and Jethro Tull wasn’t blurry enough, now there’s Jethro Tull The Rock Opera performed by Ian Anderson! Just as he did with Thick As A Brick 2 and Homo Erraticus, the singer, songwriter, harmonicist and flutist (or flautist if you’re British) continues to tread conceptual waters.
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